![]() 4 (1972) - from 13 encompasses most of the history of rock production. The sonic chasm that separates Black Sabbath's first four albums - their self-titled 1970 debut album, the same year's Paranoid, Master Of Reality (1971) and Black Sabbath Vol. If I had tried to mix their new album to make it sound like their first albums, nobody would have liked it. They work because they're classic albums of their time, but it simply is not what records sound like today. As much as everybody says that the first Black Sabbath albums sound awesome, and they do, you could not put out a record like that now. I did, and immediately got it in terms of feel and balance, but also realised that, sonically, what we were going to do would have almost nothing to do with those records. "He said to make sure I went back and listened to the first four records. "I had a similar conversation with Rick before mixing,” recalls Andrew Scheps. It wasn't that he wanted a blues album so much as he wanted the blues feel from us.” ![]() But I got the fucking punchline three weeks later. The first one was a blues album.' I didn't know what the fuck he was on about. In an interview with Spin magazine, Osbourne remarked, "I was like, 'What the fuck's the deal, man? Why the first album? We've all done a billion albums since then.' He goes, 'You're not a heavy metal band. Mixed by Andrew Scheps, the resulting album 13 topped charts worldwide.īefore the recording sessions for Black Sabbath's 13 began, producer Rick Rubin told singer Ozzy Osbourne, guitarist Tony Iommi and bassist Geezer Butler to revisit their first album. Under the guidance of producer Rick Rubin, Black Sabbath returned to their roots. Andrew Scheps Photo: Mix With The Masters
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